Aeneas

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Lavinia

Lavinia-TP_180h

Lavinia is Ursula K. Le Guin’s take on Vergil’s second half of the Aeneid. In the epic, Lavinia, daughter of King Latinus, is a central character and catalyst for events; however, Vergil gives her no dialogue, only a brief mention as the most minor of characters. While we had met Creusa and the infamous Dido, Lavinia’s betrothal to Aeneas, the subsequent civil war, and their eventual marriage, is never depicted in the Aeneid, because Vergil died before it could be finished.

Le Guin finally gives Lavinia a voice in this beautifully written book about pre-Julian Rome, where people have “a strong sense of duty, order, and justice”. Because the book takes place during the early republic, the places and people have a sense of austerity, very unlike the usual decadence one associates with Rome.

The book begins with Lavinia’s childhood, her closeness with her father King Latinus, and her fear of her half mad mother Queen Amata, who has never forgiven her for surviving a plague that took her other two sons. However, King Latinus dotes on her (“You are the light of my eyes, daughter”) and thus she grows into an intelligent and pious woman, often visiting the sacred grove of Albunea, where she meets the shade of Vergil. Their conversations are so interesting; the naive maiden and the man who mysteriously foretells many events in Lavinia’s life. In fact, he tells her he is a “vates“, or soothsayer, as Lavinia does not know the meaning of  poet. Vergil’s regret, and knowledge of his impending death are always weaved into his conversations with Lavinia, and her wit and personality often come through in these one on one conversations with Vergil.

“I favor none of them.”

“Why is that?

“Why should I? Where can a man take me that is better than my father’s house? What do I want with a lesser king? Why should I serve Lares that re not my family’s Lares, the Penates of some other woman’s storerooms, the fire of a foreign hearth? Why, why is a girl brought up at home to be a woman in exile the rest of her life?”

Eventually Lavinia grows into adulthood and is promised to Turnus, King of the Rutulians. Her mother pushes for this match; whether it is because he reminder of her lost sons or perhaps because she is a little in love with him herself is never really made clear. Of course, prophesy eventually dictates that Lavinia is meant to marry a foreigner, and Turnus in his anger incites a civil war against Aeneas and his men.

Le Guin follows Vergil’s work closely; she simply fills in the areas that Vergil left sparse, and thus illuminates corners of the Aeneid that we never knew existed. This is an excellent book for those interested in the classics or historical fiction. Read another quote from Lavinia!

Black Ships

As a self professed classics nerd, I couldn’t wait to get my hands on Black Ships when I read about it in Entertainment Weekly. Yeah yeah, it came out a while ago, I know–I’m doing this review a little belatedly in anticipation for the Hand of Isis.

Black Ships is Jo Graham’s version of the events of the Aeneid-Aeneas’ escape, travels, and subsequent founding of a new city. Our protagonist is Gull, a lowborn acolyte who ascends her mistress’ place as Pythia, an oracle of the Lady of the Dead.  Gull meets Aeneas and realizes that fate has bound him for a great destiny. She travels with the Trojans Wilusans (Trojans in Hittite) in search of a new home.  Their travels take them all over the Mediterranean–from an island of the dead to Byblos to Egypt (where they stay awhile) to the caves of Mt. Vesuvius-and finally into the Underworld itself.

This piece of historical fantasy was an enjoyable read, although a little slow at times. It was difficult for me to read at first because I have such set thoughts on Aeneas’ character and how it “should” be but I got over it fairly quickly. I just enjoyed it for what it was-a historical fantasy/romance. I especially enjoyed the disillusioned antics of Egyptian princess Dido Basetamon.

As the bedraggled group travels from place to place, they are pursued by Neoptolemus (his entrance into a fallen Troy and subsequent murder of King Priam is one of the most haunting scenes of the Aeneid). Unfortunately, Neoptolemus is never more than a vague threat in the distance (literally, they see his sails a couple times), and I would have liked a little more conflict there.  The scenery and historical details are thorough, and Graham’s writing style is exquisite- it’s beautifully simple and yet still so compelling and vivid.

I am looking forward to the Hand of Isis, which is another historical fantasy set during the reign of Cleopatra, the last Ptolemy! It features Charmian, Cleopatra’s handmaiden (Get it? Hand of Isis? ) and half sister. I am really curious as to how Graham will portray Cleopatra (I would assume she features prominently in the book, maybe not).

Will Cleopatra be portrayed as a dark, Egyptian sorceress (thanks to Octavian’s propaganda) or will she be as she was- a daughter of Ptolemy XII, of Macedonian (not Egyptian) descent, the first Ptolemy who bothered learning Egyptian mores, language, and who was believed to be the incarnation of Isis.